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Worship across the racial divide : religious music and the multiracial congregation / Gerardo Marti.

By: Material type: TextTextPublisher: Oxford ; New York : Oxford University Press, [2012]Copyright date: ©2012Description: xiii, 266 pages ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780195392975 (hardcover : alk. paper)
  • 0195392973 (hardcover : alk. paper)
Subject(s): DDC classification:
  • 264/.2089 23
LOC classification:
  • ML3921 .M37 2012
Online resources:
Contents:
1. Introduction: The dream of diversity and the dilemma of music -- Part I. Confronting Popular Notions of Race and Worship : -- 2. Popular beliefs about worship in multiracial churches -- 3. African Americans as the icon of "true worship" -- Part II. Worship Experience and Music Selection in Multiracial Churches : -- 4. The naïve experience of worship in multiracial churches -- 5. The challenge of leading multiracial worship -- 6. Variety and intentionality in the design of multiracial worship -- Part III. Negotiating Race and Achieving Congregational Diversity : -- 7. "Have you seen our gospel choir?": conspicuous color in multiracial worship -- 8. Interracial community through multiracial worship practices -- Conclusion: Mystical worship and the reality of practice
Summary: Many scholars and church leaders believe that music and worship style are essential in stimulating diversity in congregations. Gerardo Marti draws on interviews with more than 170 congregational leaders and parishioners, as well as his experiences participating in worship services in a wide variety of Protestant, multiracial Southern Californian churches, to present this insightful study of the role of music in creating congregational diversity. Worship across the Racial Divide offers a surprising conclusion: that there is no single style of worship or music that determines the likelihood of achieving a multiracial church. Far more important are the complex of practices of the worshipping community in the production and absorption of music. Multiracial churches successfully diversify by stimulating unobtrusive means of interracial and interethnic relations; in fact, preparation for music apart from worship gatherings proves to be just as important as its performance during services. Marti shows that aside from and even in spite of the varying beliefs of attendees and church leaders, diversity happens because music and worship create practical spaces where cross-racial bonds are formed. This groundbreaking book sheds light on how race affects worship in multiracial churches. It will allow a new understanding of the dynamics of such churches, and provide crucial aid to church leaders for avoiding the pitfalls that inadvertently widen the racial divide. Show More Show Less
Holdings
Item type Current library Call number Status Notes Date due Barcode
Print book for loan Krauth Memorial Branch Lillian J. Scoggins Music Room ML3921 .M37 2012 Available 31794003188373
Print book for loan Krauth Memorial Branch Philadelphia General Collection ML3921 .M37 2012 Available Temporarily Shelved at PHILA General Collection 35898001652615
Print book for loan Wentz Memorial Branch Gettysburg General Collection (Lower Level) ML3921 .M37 2012 Available 31826003531101

Includes bibliographical references (pages [247]-259) and index.

1. Introduction: The dream of diversity and the dilemma of music -- Part I. Confronting Popular Notions of Race and Worship : -- 2. Popular beliefs about worship in multiracial churches -- 3. African Americans as the icon of "true worship" -- Part II. Worship Experience and Music Selection in Multiracial Churches : -- 4. The naïve experience of worship in multiracial churches -- 5. The challenge of leading multiracial worship -- 6. Variety and intentionality in the design of multiracial worship -- Part III. Negotiating Race and Achieving Congregational Diversity : -- 7. "Have you seen our gospel choir?": conspicuous color in multiracial worship -- 8. Interracial community through multiracial worship practices -- Conclusion: Mystical worship and the reality of practice

Many scholars and church leaders believe that music and worship style are essential in stimulating diversity in congregations. Gerardo Marti draws on interviews with more than 170 congregational leaders and parishioners, as well as his experiences participating in worship services in a wide variety of Protestant, multiracial Southern Californian churches, to present this insightful study of the role of music in creating congregational diversity. Worship across the Racial Divide offers a surprising conclusion: that there is no single style of worship or music that determines the likelihood of achieving a multiracial church. Far more important are the complex of practices of the worshipping community in the production and absorption of music. Multiracial churches successfully diversify by stimulating unobtrusive means of interracial and interethnic relations; in fact, preparation for music apart from worship gatherings proves to be just as important as its performance during services. Marti shows that aside from and even in spite of the varying beliefs of attendees and church leaders, diversity happens because music and worship create practical spaces where cross-racial bonds are formed. This groundbreaking book sheds light on how race affects worship in multiracial churches. It will allow a new understanding of the dynamics of such churches, and provide crucial aid to church leaders for avoiding the pitfalls that inadvertently widen the racial divide. Show More Show Less

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